Directed by
Toshiya Ueno, 2003, 63 mins., starring Hidehisa Ebata, Nikki Sasaki, Noriko Murayama,
Rumi Hoshino, and Akio Kurauchi.

Ambiguous (aka Aimai (Waisetsu Net Shuudan:
Ikasete!!), aka Vagueness), directed by a fairly
obscure pinku director named Toshiya Ueno, sets itself
up as a topical piece, with an eye to the recent Japanese boom
in suicides and, more pertinently, Internet suicide groups. With
more social disquiet than ever and an increase in teenage social
anxiety problems such as 'hikikomori' (the peculiarly
Japanese phenomenon of young people retreating into their bedrooms
and only making contact with the outside world via the Internet,
never to be seen again), it could be argued in fact that this
movie, rather than reflecting the society which spawned it, is
actually just a soft porn flick profiting rather cynically from
the Japanese group-suicide phenomenon. However, on watching,
this is self-evidently not the case. Ueno is clearly setting
out a strong and meaningful agenda here, and accordingly Ambiguous conveys
a certain political and social validity not normally found in
most softcore porn ;-)
Full of interesting shots and novel ideas, such as intertitles
featuring written quotes portraying the thoughts and motives of
characters in a Battle Royale kind of style, as well as showing
a full and extremely plausible range of extremely dehumanising
character motivations, this movie is a great deal more rounded
than you might imagine. According to the blurb on the back of the
Sacrament DVD box, it's 'loosely based' on a true story of recent
events that took place in Japan, although what events those may
be is anyone's guess.
Considering it's obviously a no-budget movie, Ambiguous actually
looks pretty good. There's an unusual, muted blue/green dusk tint
throughout which makes the whole piece convey a certain atmosphere
of having been removed from the bustling daytime world. The characters
are living in a sort of silent emotional twilight, and the look
of the movie reflects that very neatly. There is also no incidental
music of any kind, which also lends the piece a realistic feel
and a tangible air of sadness: it's almost as though any musical
accompaniment would be inappropriate, given the storyline.
It's also very well-paced: even at a runtime of only 63 minutes,
each character is properly fleshed out enough for the viewer to
develop a relationship and sympathy with them, and at no point
does the film lag badly. Likewise, the acting is rather good: Hidehisa
Ebata is likeable and credible in the central role of the warm-hearted
seal-maker Hanko, and the rest of the cast carry themselves well,
each giving a good, believable performance rich with melancholic
desperation.
Synopsis
"I'd like to disappear somewhere... somewhere that isn't
here."
Ambiguous is based around five main characters, all
of whom want to commit suicide for varying reasons.
First character: a young man named Hanko, an extremely impoverished
artisan, who carves traditional Japanese signature-seals for a
living and resides in his workshop. He's suffering existential
angst, loneliness and ennuie, and desperately yearns for something
to believe in.
Second character: a divorcee named Maria (Nikki Sasaki), no longer
allowed to see her daughter unless she has permission from her
violent, abusive ex-husband. He beats her up after she sneaks round
to the school to catch a glimpse of her little girl, and threatens
to kill her if she ever sees her daughter again.
Third character: Ginmaku, a porn movie director's girlfriend.
The couple are sick of their relationship and want to split up.
However, the director can't get enough work currently for him to
be able to afford to move out. She is continually harassed by her
boyfriend and called a whore because she has a thing for BDSM -
and more specifically because she acts in his movies, in laughably
misogynistic and hypocritical fashion.
Fourth character: a useless sous-chef named Innocent, whose only
job is welcoming customers into a cafe - which he can't even do
right, since he is profoundly withdrawn and socially phobic, and
he is told he's not suited to the job and consequently fired. He
is so hikikomori and alienated from society he can only
communicate most of the time via mobile phone text.
Fifth character: a kogal, isolated from most of her classmates
by the fact that she prostitutes herself to old guys. Her only
so-called friends are gold-digging bitches who only hang out with
her because she gives them expensive goods bought with the money
she earns.
All of these sad people in their seemingly inescapable situations
have, over time, become suicidal, bringing them all to the Internet,
to look for 'suicide groups' - groups of people wishing to kill
themselves together for moral support. Eventually, these five people
agree to meet up at Hanko's workshop - whereupon they all make
their own personal decisions about their destinies, sharing help,
support and friendship among each other, finding that in some cases,
they can forge new relationships, find new understanding, and fill
each other's emotional voids. The five of them wanted to find the
courage to die: instead, they find the courage to live.
Like Takahisa Zeze's arthouse-pinku Raigyo, Ambiguous qualifies
as a whole lot more than just a simple softcore movie. Not really
suitable for the one-handed romanporno viewer perhaps, but highly
worthwhile from an artistic perspective: there's plenty of sex
in it, albeit fairly tasteful, but the emotional tenet of each
sex scene renders it difficult and vaguely unerotic. Yet this is
only a somewhat superficial look at a single group of potential
suicides: unlike Sono Sion's brilliant Suicide
Circle which expounded
on a lot of external reasons why suicide rates in Japan are so
high, the societal factors outside of the characters' own failings
and shortcomings are not even glanced at by Ueno in this work.
Full of fascinating shots, credible characters and perceptive, profound
insights into the sadness that many suicide victims feel crushed
by, Toshiya Ueno has created a stark, startling, intense fable of
truth, love, redemption and, ultimately, rediscovering a reason for
living. Compelling, life-affirming and inspiring.
Snowblood Apple Rating for this film:
Entertainment Value: 7/10
Chills: 0/10
Sex: 7/10
Violence: 4/10
Deviant Naughty Goings-On: a bazillion/10
Boobies: a bazillion/10
Litres of tomato ketchup: a small bathtub-ful
Films in a Similar Style:
Raigyo, Angel Guts: Red
Vertigo, Despite
All That,
Lunch Box
*** Recommended! ***
Snowblood Apple Filmographies
Toshiya Ueno
Links
http://www.salvation-films.com/ -
many thanks to Salvation, who provided us with the screener of
this movie for review
http://en.wikipedia.org/wiki/Hikikomori -
Wikipedia's excellent page on the phenomenon of hikikomori ,
or 'acute social withdrawal'
http://en.wikipedia.org/wiki/Suicide_pact -
some information pertaining to the real-life occurrences of Japanese
Internet suicide pacts
http://dvd-subtitles.com/dvds/25/Ambiguous.php -
technical specs and catalogue numbers for the Salvation release of Ambiguous
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